I have a bit of a confession to make. I’ve spent more money on audio gear than I care to admit… but I’ve never been that much into vinyl. Sure, I’ve owned a few budget tables over the years, and I’ve quietly admired the Regas, Technics, and VPIs of the world at audio events. I appreciated their value for those with extensive vinyl collections, or simply for the experience of the album art and ritual of placing a record on a platter. But as someone who grew up with the convenience digital era, I never felt compelled to invest in…
This story continues at The Next Web
I have a bit of a confession to make. I’ve spent more money on audio gear than I care to admit… but I’ve never been that much into vinyl. Sure, I’ve owned a few budget tables over the years, and I’ve quietly admired the Regas, Technics, and VPIs of the world at audio events. I appreciated their value for those with extensive vinyl collections, or simply for the experience of the album art and ritual of placing a record on a platter. But as someone who grew up with the convenience digital era, I never felt compelled to invest in…
This story continues at The Next Web
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When I said “’Space Boobs in Space’ is the best thing on Prime Video,” last year, I wasn’t playing coy or trying to be funny. The film, on its own merit, is a loud-and-proud statement on body-positive feminism. And the fact it was available on one of the world’s largest streaming entertainment networks gave me hope for the future of very-low-budget, independent cinema. That hope is gone. Amazon‘s Prime Video Direct, the program responsible for bringing independent films such as “Space Boobs in Space” to Prime Video subscribers, recently conducted a mysterious purge affecting thousands of films and dozens –…
This story continues at The Next Web
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